Contemporary ownership inscription to front endpaper; cloth a little dulled, jacket with some wear & tear.
Plates and illustrations by Arthur Rackham.
£95
London, Hodder & Stoughton, c.1929.
Small 4to. Original cloth. Dust-jacket, priced 2/6.
Barrie’s famous Peter Pan, in a rerendering by May Byron and featuring Rackham’s splendid illustrations.
In stock
Contemporary ownership inscription to front endpaper; cloth a little dulled, jacket with some wear & tear.
Plates and illustrations by Arthur Rackham.
Detective Fiction
London, Hodder & Stoughton, [1926].
First edition. 8vo. 8pp. advertisements at end. Original cloth. Dust-jacket, correctly priced at 7/6.
A rare book in the original first issue dust-jacket, with striking artwork.
Detective Fiction
London, Hodder & Stoughton, 1959.
First edition. 8vo. Original cloth. Dust-jacket, correctly priced 12s.6d.
A couple discover that their child-sitter served a prison sentence for child murder, something they cannot square with the individual in question, sparking their own investigation and the unravelling of some strange secrets.
Detective Fiction
London, Hodder & Stoughton, 1964.
First edition. 8vo. Original boards. Dust-jacket.
A very good first edition of this later Dr Palfrey tales, by one of the most prolific authors in the crime/thriller genre.
Detective Fiction
A Story of the Baccarat Club
London, Hodder & Stoughton, [1929].
First edition. 8vo. Blind-stamped presentation copy to front free endpaper. Original blue cloth. Dust-jacket, correctly priced at 7/6.
One of the more decidedly criminous titles by Irish author Jessie Louisa Rickard, one of the founders of the Detection Club in 1930. Moody artwork by the artist John Morton-Sale.
Detective Fiction
London, New York, Toronto, Hodder & Stoughton, 1913.
First edition. 8vo. Original blue cloth lettered in black to upper cover, spine lettered in gilt. Dust-jacket with inset colour illustration.
An early, rare example of a dust-jacket featuring artwork seemingly solely commissioned for the jacket, rather than repeating a frontispiece or plate from the book. This was an important time of transition for dust-jackets, moving away first from the disposable, purely advertorial type and then those that just repeated an internal design.
Writing in Twentieth-Century Crime and Mystery Writers (London, 1980), Daniel P. King noted "In the mystery genre, [Mason] made ample use of the psychological element - and in doing so, was in advance of his time."