A little minor marking to boards; jacket toned and slightly chipped at spine, otherwise very good.
Stoker (Bram) Dracula
£550
New York, Grosset & Dunlap,, [c.1927].
First stage play edition. 8vo. Original orange cloth. Dust-jacket.
A great edition of Stoker’s gothic masterpiece, issued to tie-in with the Broadway adaptation starring Bela Lugosi in his first major English-speaking role.
Out of stock
Related products
Horror & Gothic
London, Tinsley Brothers, 1867.
3 vols. First edition. 8vo. Half-titles all present. Publisher's dark orange blind-tooled cloth, lettered in gilt to spines. Housed in modern morocco-backed cloth solander box.
The best example of this rare, Hubin-listed three decker by Irish author Sheridan Le Fanu that we have ever seen, extremely uncommon in the original cloth and in such condition. The story itself features the Gothic tropes and elements one would expect from the author of Uncle Silas (1864) and In a Glass Darkly (1872), a crumbling family pile, hidden romance, suspicious death, a looming inheritance and dangerous ambition.
Horror & Gothic
London, André Deutsch, 1971.
First UK edition, first impression. 8vo. Original blue boards lettered in gilt to spine. Dust-jacket, priced £1.80.
The first UK edition of Stewart's second novel, a horror tale about a woman who believes her brother is possessed by the spirit of a serial killer. It was adapted into the 1972 feature film of the same title starring Shirley MacLaine and Perry King.
Horror & Gothic
London, Methuen, 1897.
First edition, first impression. 8vo. Original red cloth blocked & lettered in gilt.
A very good first edition of this collection of short stories by Wells, comprising ghost stories, tales of horror and even a cautionary tale about an apple.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."
London, Collins, 1935.
First edition. 8vo. Original brown cloth. Dust-jacket, correctly priced at 7/6.
Cult novel about a man who discovers his mother has been hiding his monstrous brother in the attic, the author's only dalliance within the fringes of Sci-Fi. Very scarce in the original Rex Whistler jacket.


















