Sci-Fi & Fantasy

    £325



    London, Gollancz, 1987.

    First UK edition, first impression. 8vo. Original boards. Dust-jacket.

    A surprisingly rare edition of this Asimov collection, which includes one previously unpublished, new story.

    "Presented in this volume are several previously uncollected stories, alongside a selection of vintage Isaac Asimov: such tales as 'Little Lost Robot', one of the best of his famous robot series; 'The Feeling of Power', in which Asimov anticipates by over twenty years the development of pocket computers; 'The Ugly Little Boy', a time travel story which may be the most moving tale he has ever written; and 'The Last Question', which Asimov himself chooses as his best story." (jacket blurb)

    £75



    London, Michael Joseph, 1959.

    First edition. 8vo. Original black boards lettered in white. Dust-jacket.

    The pseudonym saga achieves its final, magnificent absurdity: a collaboration between John Wyndham and Lucas Parkes, i.e., between the third & fourth names of John Wyndham Parkes Lucas Beynon Harris, a man now formally credited with co-writing a book with himself. The fig-leaf logic was branding: this is hard, nuts-and-bolts space fiction rather than the domestic catastrophes the Wyndham name had come to promise, so 'Parkes' was wheeled out as notional technical collaborator to manage expectations. The book itself is a future history in four episodes at fifty-year intervals, following successive generations of the Troon family from the first space stations to the Moon, Mars and Venus, as the powers of the northern hemisphere obligingly destroy each other and leadership in space passes elsewhere. A fifth Troon story, 'The Emptiness of Space,' was added to the 1961 Science Fiction Book Club edition.

    £225



    London, Michael Joseph, 1960.

    First edition, first impression. 8vo. Original dark grey boards. Dust-jacket.

    The last of the novels published in Wyndham's lifetime under the famous name at full stride, and the one whose reputation has travelled furthest: a lichen extract, the "antigerone," is found to slow human ageing - and the two discoverers split on what to do with two or three centuries of life. A thriller plot wearing a genuinely radical argument about gerontocracy, cosmetics and female emancipation; sixty years on it gets cited in bioethics discussions more than anything else he wrote. Very good in equally good Hugh Marshall wrapper.

    £975



    London, Newnes, [1936].

    First edition, first impression. 8vo. Original cloth. Dust-jacket, priced 3/6.

    Wyndham's third book and second science fiction novel. Written as John Beynon, it was serialised the same year in The Passing Show as Stowaway to Mars, abridged again in 1937 in Modern Wonder as The Space Machine, cut differently for a 1953 paperback, and finally restored in 1972 as Stowaway to Mars "by John Wyndham".

    The plot: it is 1981, a million-pound prize awaits the first interplanetary flight, and a British millionaire launches the rocket Gloria Mundi from Salisbury Plain, bound for Mars. Once clear of the atmosphere the crew discover a stowaway, a woman, Joan Shirning, to their considerable period-typical consternation, carrying a strange tale of a machine of Martian origin. On Mars itself the book turns unexpectedly thoughtful: a dying race, and the machines destined to outlast it, a theme Wyndham was rehearsing fifteen years before anyone was paying attention. He revisited the story in the novella Sleepers of Mars (1938).

    £125



    London, Michael Joseph, 1961.

    First edition, first impression. 8vo. Original boards. Dust-jacket.

    The mature Wyndham in short form, led by the novella that first appeared sandwiched between Golding and Peake in Sometime, Never (1956) and here gives its name to the collection: a woman wakes in a future without men, the male half of the species eliminated by an escaped virus; her amnesia making her the reader's guide to a society of castes and functions that works perfectly well, which is precisely the problem...

    £495



    New York, Doubleday & Company, 1951.

    First US edition, first printing. 8vo. Original cloth. Dust-jacket.

    The book itself needs little introduction: the blinding green meteor shower, the walking carnivorous plants, Bill Masen unbandaging his eyes in a silent hospital, and the entire template of British catastrophe fiction (traced forward through Christopher, Ballard and, by its director's own admission, 28 Days Later) laid down in one stroke.

    What's interesting here is that the Doubleday edition printing precedes the Michael Joseph London edition, making it the true first in book form. It is also textually distinct, the story having had a famously tangled birth: Wyndham's original draft gave the triffids a Soviet origin; Doubleday balked, a rewrite relocated them to Venus, Doubleday balked again, and the firm finally published the original conception shorn of some ten thousand words, while Collier's, serialising the abridged Revolt of the Triffids' in early 1951, ran the Venusian version. The result: the Doubleday, the Joseph and the serial are three variant texts of the same masterpiece.

    £250



    New York, Ballantine Books, 1955.

    First US edition, first printing. 8vo. Original cloth. Dust-jacket.

    The Ballantine Re-Birth actually precedes the Michael Joseph Chrysalids, making this less-lovely-titled US version the true first edition of the book many critics, and Wyndham's own editor at New Worlds, who thought it far superior to Triffids, regard as his masterpiece. Post-nuclear Labrador; a fundamentalist farming society whose scripture commands "Watch Thou for the Mutant"; crops burned and deviant babies cast out; and young David Strorm, who recites the creeds while concealing that he and a handful of children can speak mind to mind. It is the least typical of the major novels and the most perfectly made. A set text in British and Canadian schools for generations, and with the odd distinction of a rock afterlife: Jefferson Airplane's 'Crown of Creation' draws its lyrics directly from the novel's dialogue.

    The texts differ, the American edition trimmed of some of the philosophical passages, so the completist perhaps needs both...but the priority belongs here, and Ballantine's mid-fifties hardcovers were tiny printings inside a paperback operation, making them far scarcer than their renown.

    £1,250



    London, Michael Joseph, 1951.

    First edition, first impression. 8vo. Original green cloth. Dust-jacket.

    The first edition of Wyndham's Sci-Fi classic: '"Triffid" has become part of the literary vocabulary, much as "robot" entered every-day English - through science fiction ("Robot" first appeared in Karel Capek's science fiction drama R.U.R., 1920.)... In terms of popularity, Triffids stands as one of the most successful science fiction novels of the twentieth century.' (Bleiler, Science Fiction Writers).

    £160



    London, Rupert Hart-Davis, 1951.

    First UK edition, first impression. 8vo. Original grey boards lettered in gilt to spine. Dust-jacket, priced 12s6d.

    The first UK edition of Bradbury's famous 'Martian Chronicles', with slightly different content to the US edition and its coeval Argentinian counterpart.

    £175



    London, Newnes, 1938-39.

    3 issues (complete). Large 8vo. Original pictorial stapled wrappers.

    Published by George Newnes Ltd, which paid respectable rates and obtained good-quality material, these three issues comprise a complete run of the magazine Fantasy, edited by T Stanhope Sprigg. The short-lived periodical included stories by significant authors such as John Wyndham, Eric Frank Russell and John Russell Fearn. John Beynon was one of the pseudonyms used by John Wyndham Parkes Lucas Beynon Harris (1903–1969), the British science fiction writer best known for The Day of the Triffids, The Kraken Wakes and The Midwich Cuckoos.

    £125



    London, Burke, 1959.

    First edition, first impression. 8vo. Original boards. Dust-jacket.

    The fourth of MacVicar's 'Lost Planet' series, created for radio and also popular in book and TV versions - in these stories a pacifist theme came through strongly. The series was the first science fiction series ever translated into Hebrew, and had considerable impact on the development of the genre in Israel.

    £125



    London, Burke, 1960.

    First edition, first impression. 8vo. Original boards. Dust-jacket.

    The fifth of MacVicar's 'Lost Planet' series, created for radio and also popular in book and TV versions - in these stories a pacifist theme came through strongly. The series was the first science fiction series ever translated into Hebrew, and had considerable impact on the development of the genre in Israel.

    Sci-Fi & Fantasy

    Dick (Philip K.) Ubik

    £150

    London, Rapp & Whiting, 1970.First UK edition. Ex-Library. 8vo. Original boards. Dust-jacket, priced £1.40.The first UK edition of this novel set in a future 1992 where psychics are common and utilised in corporate espionage while intricate technologies allow recently deceased people to be maintained in a lengthy state of hibernation.

    Sci-Fi & Fantasy

    Haggard (H. Rider) She.

    £250


    A Romance of Marvel and Mystery
    London, "Review of Reviews" Office, [1900].

    The Masterpiece Library. 1. Edited by W. Stead. [bound in Hicklings' Almanack Handbook of Norfolk 1896] 8vo. Original printed red wrappers.

    Stead's rare abridged edition of Haggard's gothic lost kingdom narrative set in the African interior, here intriguingly bound at the end of Hicklings' Norfolk Almanack for 1896. Stead was a pioneering investigative journalist and crusading newspaper editor, considered to be one of the most famous Englishmen to die in the sinking of the Titanic at the time. He launched the Masterpiece Library of Penny Popular Novels in 1893 and it eventually ran to about 100 novels. It was touted as 'the most efficient agency that has yet been devised for making our best literature familiar to the mass of the nation.' Punch dubbed the series "Penny Steadfuls". The novels were abridged into 30,000 to 40,000 words from novels which were originally six or eight times as long. They were, however, hugely popular with the much enlarged reading public of the time. She for example sold 500,000 copies in Stead's abridgement.

    £275



    London, Newnes, 1938-39.

    3 issues (complete). Large 8vo. Original pictorial stapled wrappers.

    Published by George Newnes Ltd, which paid respectable rates and obtained good-quality material, these three issues comprise a complete run of the magazine Fantasy, edited by T Stanhope Sprigg. The short-lived periodical included stories by significant authors such as John Wyndham, Eric Frank Russell and John Russell Fearn. John Beynon was one of the pseudonyms used by John Wyndham Parkes Lucas Beynon Harris (1903–1969), the British science fiction writer best known for The Day of the Triffids, The Kraken Wakes and The Midwich Cuckoos.

    £650


    A Grotesque Romance
    London, C. Arthur Pearson, [c.1903/4].

    'Cheap edition'. 8vo. Original yellow pictorial wrappers printed in red, priced 6'.

    Originally published as a serial in Pearson's Weekly in 1897, then in book form the same year, this is a relatively rare edition of Wells' sci-fi classic, made more so by the presence of the fragile original wrappers.

    £350



    London, Jonathan Cape, 1967.

    First UK edition, first impression. 8vo. Original purple boards. Dust-jacket.

    A pleasing first UK edition of Pynchon's second novel, simultaneously a satire of 1960s California counter-culture, a meditation on paranoia and information theory, and an unresolved mystery that deliberately withholds its own solution. Hard to find in such good order.

    £2,950


    or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, In the World
    London, Robert Horsfield, 1761.

    First edition in English. 2 vols. 8vo. Main title printed in red & black, part title with woodcut decoration. Uniformly bound by Glenn Malkin in modern speckled calf with geometric gilt design and blind-tooled roll & cogs decorations to covers, spines with raised bands and gilt rules with contrasting leather title labels. Housed in leather-backed marbled board compartmentalised slipcase.

    A scarce imaginary voyage, considered to be one of the earliest works of utopian science fiction. This work is also considered a cornerstone book in any collection of photographic literature, and photography's first fictional work (see Roosens & Salu History of Photography, No. 10421).

    Originally published in France in 1760 as Giphantie (an anagram of the author's name), this work is credited with one of the earliest mentions of photography, in Chapter 17: "That window, that vast horizon, those thick clouds, that raging sea, are all but a picture... Thou knowest that the ways of light, reflected from different bodies, make a picture and paint the bodies upon all polished surfaces, on the retina of the eye, for instance, on water, on glass. The elementary spirits have studied to fix these transient images; they have composed a most subtile matter, very viscous, and proper to harden and dry, by the help of which a picture is made in the twinkle of an eye... [the] impression of the images is made the first instant they are received on the canvas, which is immediately carried away into some dark place; an hour after, the subtile matter dries, and you have a picture so much the more valuable, as it cannot be imitated by art nor damaged by time" (pages 95-96).

    Glenn Malkin began binding professionally in 2008 and has since won numerous awards for his design bindings in national and international competitions.

    Sci-Fi & Fantasy

    Clarke (Arthur C.) 2001

    £295


    A Space Odyssey
    London, Hutchinson, 1968.

    First edition, first impression. 8vo. Original boards. Dust-jacket.

    One of the most culturally significant novels science fiction has produced. The novel was based on the screenplay written by Arthur C. Clarke and Stanley Kubrick, developed concurrently with Kubrick's landmark 1968 film. Both the American (New American Library) and this British first editions appeared in 1968; the first British printing is considered less common than its American counterpart.

    £1,495


    A novel
    New York & Toronto, Farrar & Rinehart, 1937.

    First edition, first printing. Cut signature of the author to title-page. 8vo. Original blue cloth decorated in silver. Dust-jacket, priced $2.50.

    Two college friends visit their former university and find a professor burnt to death in his observatory.

    £1,750



    London, George Allen & Unwin, 1956-59.

    3 vol., first editions, fifth/seventh/fifth impression respectively. Large 8vo. Original cloth. Dust-jackets.

    A solid set of early impressions of Tolkien's fantasy masterpiece.

    £395


    A Tale of Alderley
    London, Collins, 1960.

    First edition, first impression. 8vo. Original boards. Dust-jacket, price-clipped.

    Garner's debut novel, and one of the most important British children's fantasy novels of the 20th century. It marked a decisive move away from the pastoral, whimsical tradition of children's fantasy toward something darker, more rooted in specific landscape and local mythology.

    £5,250


    A Novel
    London, Secker & Warburg, 1949.

    First edition, first impression. 8vo. Original cloth. Green dust-jacket, priced 10s.

    A wonderful example of the first edition of Orwell's dystopian classic, benefiting from some skilful, minor restoration to remove a sticker mark from the jacket spine and improving the corners. Although many worthy experts suggest that the red jacket has historically proved to be the scarcer, it is our experience that the green one has proved equally difficult to acquire in recent years - worth noting that of ten jacketed first editions that appeared at auction in 2025, eight were in the red jacket.

    £125



    London, Orbit, 1998.

    First edition, first impression. Signed by the author on title-page. 8vo. Original boards. Dust-jacket.

    An "attempt to write a Culture novel that wasn't", from the author of Consider Phlebas and (as Iain Banks) The Wasp Factory.

    £135


    An enquiry into the limits of the possible
    London, Gollancz, 1962.

    First edition, first impression. 8vo. Original boards. Dust-jacket, priced 21/-.

    Non-fiction essays where Clarke speculates on scientific and technological advances, from space flight and telecommunications to bioengineering, and coins the celebrated 'Clarke's Third Law' ("Any sufficiently advanced technology is indistinguishable from magic").

    £95



    London, Gollancz, 1961.

    First edition, first impression. 8vo. Original boards. Dust-jacket.

    A tightly plotted, optimistic near-future thriller.

    £85



    London, Gollancz, 1984.

    First UK edition, first impression. 8vo. Original boards. Dust-jacket.

    Set 1,500 years after God Emperor, the Bene Gesserit and a new faction, the Honoured Matres, are in conflict as the effects of Leto II's "Golden Path" continue to unfold.

    £175



    London, Gollancz, 1978.

    First UK edition, first impression. 8vo. Original boards. Dust-jacket.

    On a sealed planet of extreme overcrowding, a human-Gowachin population has been subjected to a secret behavioural experiment by manipulative alien powers.

    £95



    London, Gollancz, 1985.

    First UK edition, first impression. 8vo. Original boards. Dust-jacket.

    The final novel Herbert completed, in which the Bene Gesserit attempt to survive a galactic purge. Herbert died before writing the planned sequel.

    £195



    London, Gerald G. Swan, 1960.

    First edition, first impression. 8vo. Original blue cloth. Dust-jacket, priced 12/6.

    A great first edition of this weird tale, an exploration into the power & peril of telepathy… The author was a prolific writer, with works ranging from children's fantasy to weird sci-fi and spy fiction.

    £295


    [Selected Works]. Foreword by Emil Petrov
    Sofia, , 1958.

    First Bulgarian edition, limited to 8000 copies. Signed presentation copy from the author. 8vo. Printed in Bulgarian. Original terracotta cloth.

    Signed and warmly inscribed by Svetoslav Minkov on the half-title in Bulgarian, the inscription translates as: "To good friends Brigitte and Peter, with much warmth and devotion - Sv. Minkov, London, 29.11.60." The recipients were the Bulgarian author & journalist Brigita Yosifova, and the British poet & translator Peter Tempest - an inscription that speaks to Minkov's literary friendships and his continuing engagement with intellectual circles beyond Bulgaria.This is a scarce collected selection by one of the most distinctive voices in 20th-century Bulgarian literature. A central figure in Bulgaria's interwar avant-garde, Minkov introduced the grotesque, the fantastic, and speculative futurism into a literary culture largely shaped by realism & social narrative. His coolly ironic prose, fascination with technology and sharp sense of the absurd place him in dialogue with the broader European modernist tradition; he is frequently regarded as the father of Bulgarian science fiction & horror. Themes of mechanisation, alienation and the fragility of identity run through his work, lending it a striking modernity that still resonates.The volume is arranged in four sections: first, twenty-five short stories — including his celebrated The Lady with the X-Ray Eyes, alongside The Hydrogen Gentleman and the Oxygen Girl, The Woman in the Golden Coffin, and others; secondly, a group of travelogues; thirdly, fairy tales; and finally, a series of feuilletons and satirical sketches, which display his characteristic wit and satirical edge.Svetoslav Minkov (1902-66) travelled extensively across Europe, Asia, and South America both before and after the Second World War. He worked as a journalist for several Communist newspapers and later served in an official capacity within the Bulgarian government's cultural office, navigating a complex cultural landscape while maintaining a voice that remained distinctly his own.

    £95



    London, Alston Rivers, 1928.

    First edition, first impression. 8vo. Original cloth. Original upper and lower panel of the dust-jacket cut-down and loosely inserted.

    Although better known as a writer of crime fiction, this sole venture into science fiction by Grierson does make it one of his more collectable titles. The book is cited in Gerber's Utopian Fantasy (1973), Negley's Utopian Literature: A Bibliography, Sargent's British and American Utopian Literature, and Bleiler (1978), and is considered scarce.

    £325



    London & New York, Frederick Warne, 1890.

    First UK edition. 8vo. Contemporary, presumed institutional, red cloth binding, gilt to spine.

    The first edition of this significantly influential work of fin-de-siècle science fiction. The story follows a diverse group of idealistic explorers who travel to Mars in a steel sphere powered by an anti-gravity device. They discover a peaceful, co-operative utopia, promptly find it intolerably dull, and attempt to remake it along capitalist and imperial lines, with predictably disastrous results. The book later attracted controversy through a dubious claim of a foreword by Jules Verne and legal action by the author against H.G. Wells for alleged plagiarism. An important and unsettling anti-utopian work, ending in a fashion as extreme as anything in early science fiction.

    £250


    Complete
    London, Sampson Low, Marston, and Company, [1894/5].

    'Author's Edition'. 8vo. Advertisements dated 1894. Original red cloth blocked in black & gilt.

    Attractive edition of this adventure classic. Rare in such near-fine condition.

    £175



    London, Dennis Dobson, 1965.

    First UK edition, first impression. Signed by the author on title-page. 8vo. Original boards. Dust-jacket, price-clipped.

    A science-fiction novella set on a distant planet where genetically engineered dragons are bred and weaponised in an ongoing war as a proxy for their controllers.

    £1,500



    London, Readers Library, September 1927.

    First UK edition, fourth impression. Small 8vo. Original gilt tooled cloth. Dust-jacket, with the title mentioned on rear inside flap of the jacket.

    The book of the famous silent film that is held by many to be one of the defining moments in cinematic history, not least as the first feature length science fiction feature. The film was directed by Fritz Lang, who developed the story with Thea von Harbou. Set in a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a saviour to settle their differences. This fourth printing was issued within a few months of the first, indicating the demand.

    £125



    London, Hodder & Stoughton, 1960.

    First edition, first impression. 8vo. Original cloth. Dust-jacket, price-clipped.

    A near-future SF thriller involving suspended animation, space travel and the ethics of scientific experimentation.

    £295

    New York, Charles Scribner's Sons, 1952.Issue with 'A' on copyright page but no seal. 8vo. Original boards. Dust-jacket, clipped.Vonnegut’s first novel, set in a near-future America where automation has replaced human labour, leaving a technocratic elite and a disaffected majority. This is potentially a book club issue, as there is no publisher’s seal on the copyright page the jacket has been clipped, possibly where such a declaration would have been printed.

    £175



    London, Gollancz, 1962.

    First edition, first impression. 8vo. Original cloth. Dust-jacket, priced 15/-.

    Twelve stories exploring classic Clarke themes of technology, alien contact, space exploration and human destiny.

    £200



    London, T. Fisher Unwin, 1910.

    First edition. 8vo. Title printed in red & black. Original blue cloth lettered in gilt with inset colour illustration to upper cover.

    "Helen of All Time (1910) rather remarkably compresses into one volume an advanced Airship and a Reincarnated Helen of Troy." (The Encyclopedia of Science Fiction)

    £95



    London, Faber & Faber, 1971.

    First UK edition, first impression. 8vo. Original boards. Dust-jacket, priced £1.75.

    A very good first UK edition of this classic sci-fi title, first published in Galaxy Magazine, October 1967.

    £60



    London, Methuen, 1928.

    Third UK edition. 8vo. Original cloth. Dust-jacket, priced 2/-.

    Edgar Rice Burroughs's The Chessmen of Mars, originally published in the US in 1922, continues the adventures of John Carter on the dying planet of Barsoom.