Publisher’s compliment blind-stamp to head of title, a little minor foxing; spine faded.
Ross (Charles) The Haunted Seventh
£395
London, John Murray, 1922.
First edition. 8vo. Original blue cloth lettered in gilt.
A scarce golfing murder mystery set on a links in Cornwall during the Miners’ Strike, and featuring a shell-shocked war veteran.
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Horror & Gothic
London, Denis Archer, [1932].
First edition. 8vo. Original red cloth gilt. Dust-jacket, correctly priced 7/6.
Sinisterly appealing jacket artwork graces this scarce first edition in jacket; classic horror stuff, with a clergyman possessed by the devil. Genuinely rare.
Horror & Gothic
First edition. London, Simpkin, Marshall, Hamilton, Kent & Co. Ltd 1925
Horror & Gothic
London, Tinsley Brothers, 1867.
3 vols. First edition. 8vo. Half-titles all present. Publisher's dark orange blind-tooled cloth, lettered in gilt to spines. Housed in modern morocco-backed cloth solander box.
The best example of this rare, Hubin-listed three decker by Irish author Sheridan Le Fanu that we have ever seen, extremely uncommon in the original cloth and in such condition. The story itself features the Gothic tropes and elements one would expect from the author of Uncle Silas (1864) and In a Glass Darkly (1872), a crumbling family pile, hidden romance, suspicious death, a looming inheritance and dangerous ambition.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."
Horror & Gothic
London, The Readers Library, n.d. [c.1935].
First edition thus. Small 8vo. Original cloth, gilt. Dust-jacket, with advertisements printed to reverse.
Originally entitled A Chink in the Armour; a scarce Readers Library edition, in fun jacket.












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