A very good example of the book, in slightly tanned but overall very good jacket.
Illustrations and jacket artwork by Yunge-Bateman.
£95
Prefatory Note by Lord David Cecil
London, Dent, 1952.
First edition. 8vo. Original green cloth. Dust-jacket, priced 10s6d.
An uncommon collection of weird tales, written by an ordained priest no less.
Out of stock
A very good example of the book, in slightly tanned but overall very good jacket.
Illustrations and jacket artwork by Yunge-Bateman.
Weird & Supernatural
London, Jarrolds, 1927.An early edition of Metcalfe's first published book, a collection of macabre tales, including the excellent 'Paper WIndmills'.
Weird & Supernatural
London, Macdonald, 1947.
First edition. 8vo. Original cloth. Dust-jacket, correctly priced 8/6.
An intriguing tale by this author of crime fiction, the title taken from a line by Pope, "What beckoning ghost along the moonlight shade Invites my steps and points to yonder glade?".
Weird & Supernatural
First edition thus.
London. Reader's Library, [1934 according to COPAC but could be earlier]
Death by poisoning in a locked bedroom at Staups, an isolated manor house on the Yorkshire Moors. Weird elements, a supposedly cursed jewel and sacrificial knives looted from the temple of Aztec descendants living in Central America, Author’s first crime novel, published in the UK by Bles in 1927.
Weird & Supernatural
First edition.
London. Hutchinson, [1926]
The continuing adventures of Allan Quatermain, set in the middle of the Dark Continent ruled by a huge, pale man with a strange knowledge of future events. One of two works published posthumously.
Weird & Supernatural
London, Stanley Paul, 1909.
First edition. 8vo. Original (variant) blue cloth.
A key work in Hope Hodgson's canon, here in a seemingly unknown variant binding (the normal is red cloth, with green also being recorded). The tale recounts a ship crew's strange & terrifying experience as their reality comes into contact with an alternative, darker mirror world. Bleiler was a huge fan of Hope Hodgson, calling his novels "visionary accounts that have no real parallels in English literature". Of this particular title he noted:
"One of the great sea novels. highly original in detail and well done. Although it is overshadowed as visionary horror by the more spectacular The House on the Borderland and The Night Land, as a work of art, it is finer." (The Guide to Supernatural Fiction).
A revised version of the ending was anthologised, under the title "The Silent Ship".