Green (F.L.) Julius Penton
£295
London, John Murray, 1934.
First edition, first impression. 8vo. Original cloth. Dust-jacket.
The debut novel of the author of On the Night of the Fire (1939). He remains chiefly remembered for Odd Man Out (1945), which spawned a film adaptation in 1947 directed by Carol Reed and starring James Mason.
In stock
Foxing; cloth very good; jacket tanned at spine, some minor chipping with small split near head of spine.
Related products
Modern Literature
First edition.
London, Putnam, 1936
A very elusive political satire in which a Scottish shirt maker - Andrew McAndrew - corners the market for political shirts. In the novel the author satirises the symbolic power of the shirt with garments whose actual colour imbue the wearer with a political attitude. What’s not to like about a novel that pokes fun at Oswald Mosley’s Fascist Blackshirt movement.
Modern Literature
London, Williams & Norgate Ltd, 1936.
First edition. 8vo. Original blue cloth lettered in gilt. Dust-jacket, priced at 7/6.
An autobiographical insight into the public school traditions and ambitions from the author's youth, including a comparison with the less constricting approaches of similar schools at the time of publication.
![Alternative view of Hull (E[dith]. M[aud].) The Sons of the Sheik](https://lycanthiabooks.com/wp-content/uploads/2021/05/82645_2-300x399.jpg)
Modern Literature
London, Eveleigh Nash & Grayson, [1926].
Film tie-in edition. 8vo. 3pp. advertisements. Original red cloth. Dust-jacket.
A handsome early edition of the sequel to The Sheik (1919); the first edition was published in 1925, with this edition issued to coincide with the popular film version starring Rudolph Valentino. Hull is credited with setting off a major and hugely popular revival of the "desert romance" genre of romantic fiction.
Modern Literature
London, Macmillan and Co, 1940.First film tie-in edition.
Modern Literature
First edition.
London. Neville Spearman, 1957
A well regarded collection of short stories mainly set in the American South and most of them among poor people. The short story that gives the book refers to statues popular in the Jim Crow-era Southern United States, depicting grotesque minstrel-like characters.