Cloth slightly sunned at spine ends; jacket worn with loss at spine ends and fore corners.
Illustrations by Joy Hayes.
£75
London, Philip Allan, 1935.
8vo. Original cloth. Dust-jacket.
In stock
Cloth slightly sunned at spine ends; jacket worn with loss at spine ends and fore corners.
Illustrations by Joy Hayes.
Weird & Supernatural
A Collection of Uneasy Tales
London, Philip Allan, 1935.
First edition, first impression. 8vo. Original dark orange cloth. Dust-jacket, correctly priced 2/6.
An anthology of uneasy stories curated under editor Charles Birkin (as per the Creeps series), gathering works from various authors and emphasising British pulp horror. The Creeps series served as a wonderfully British answer to the popular American horror anthologies, balancing shocking tales with gothic insinuations.
Weird & Supernatural
A Collection of Uneasy Tales
London, Philip Allan, 1932.
First edition, first impression. 8vo. Original cloth. Dust-jacket, priced 2/6.
The original anthology from the famous 'Creeps' series, featuring stories by Elliott O'Donnell and others.
Horror & Gothic
a Book of Ghost Stories
London, Philip Allan, 1928.
First edition. 8vo. Woodcut device to title. Original black cloth.
A solid first edition of this collection of tales by a well-respected author, including his celebrated black magic yarn 'He cometh and he Passeth by'; Bleiler called these "excellent stories".
Illustrated Books
A Fantasy
London, George G. Harrap, [1923].
First UK edition. 4to. Original parchment-backed grey paper covered boards, spine decorated and lettered in gilt.
One of 2,000 copies printed in Britain, from which 250 of which were sent to America. This is Timlin's only published work, but the quality of the illustrations rivals those of Dulac, Pogany, Nielsen & Rackham.
Illustrated Books
3 issues, comprising: Vol.6, No.10 May 1947; Vol.7 No.10 July 1948; July-August 1949
London, Our Times Publications, 1947-49.
3 issues. 4to. Original pictorial wrappers.
Three issues of this left-wing periodical, designed to bring art and culture to the common man. These were the only issues to feature cover artwork by the illustrator & artist John Minton, including an illustration from his work based on the quays and wharves around Southwark and Bankside and another entitled 'Jam Session', reflecting Minton's own interest in Jazz music. Uncommon.