A very good copy; jacket with loss to head of spine and one corner, but otherwise very good.
Jacket artwork by Pat Keely.
£225
London, Heinemann, 1929.
New impression. 8vo. Original black cloth lettered in red. Dust-jacket, priced 3/6.
A mystical supernatural novel of reincarnation: the village eccentric and egomaniac Peregrine Sark brings back a terracotta figure of the goddess Cybele to his English country house and becomes dangerously absorbed in worshipping the deity. Attractive jacket artwork by commercial and graphic artist Keely.
In stock
A very good copy; jacket with loss to head of spine and one corner, but otherwise very good.
Jacket artwork by Pat Keely.
Modern Literature
London, Heinemann, 1958.
First edition. 8vo. Original dark blue boards. Dust-jacket, priced 15s.
The second novel in Burgess's Malayan trilogy, set in Dahaga (Malayan for 'thirsty) and following the rise & fall of British expat Victor Crabbe, a microcosm of the waning influence of the British Empire.
Modern Literature
London, Heinemann, 1927.
First UK edition. 8vo. Original red cloth. Dust-jacket, priced 7/6.
A collection of short stories by the Pulitzer Prize winning author Edna Ferber, famously author of So Big, Show Boat and Giant. The jacket with its 'vignette' illustrations is definitely uncommon, and in our opinion more attractive than the first US equivalent.
Modern Literature
London, Heinemann, 1961.
First UK edition. 8vo. Original red boards. Dust-jacket, 12s6d.
The first book by Scottish author Trocchi to be published in the UK, following the banning of his controversial novel Cain's Book (1960).
African literature
Introduction by Oliver Tambo. Edited by Ruth First
London, Heinemann, 1965.
First edition. 8vo. Original black boards lettered in gilt. Dust-jacket.
A very good first edition of Mandela's collected early writings, including his famous speech at the Rivonia Trial (1964). Distinctly uncommon, preceding his autobiography Long Walk to Freedom by almost thirty years.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."