O’Hara (John) BUtterfield8
£60
London, Cresset Press, 1951.
First UK edition. 8vo. Original red cloth. Dust-jacket, priced 12/6.
The first UK edition of the author’s second novel, depicting life in New York at the height of the Speakeasy era.
Out of stock
Book VG; jacket with chipping to corners, overall VG.
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Modern Literature
London, Hurst & Blackett, 1918.
First edition. 8vo. Original cloth. Dust-jacket, priced 5/ and stating '20th thousand'.
A later title, but a characteristically passionate & emotive novel by the author of the notorious The Quick or the Dead? (1888). Scarce in such an early issue dust-jacket.
Modern Literature
London, Macdonald, [1943].
First edition. 8vo. Original red cloth. Dust-jacket, correctly priced 8/6.
A light-hearted book. If you not like mean people, you will not be discouraged by the fate which overtakes the characters... (jacket blurb)
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Modern Literature
London, Eveleigh Nash & Grayson, [1926].
Film tie-in edition. 8vo. 3pp. advertisements. Original red cloth. Dust-jacket.
A handsome early edition of the sequel to The Sheik (1919); the first edition was published in 1925, with this edition issued to coincide with the popular film version starring Rudolph Valentino. Hull is credited with setting off a major and hugely popular revival of the "desert romance" genre of romantic fiction.
Modern Literature
London, Hodder & Stoughton, 1925
First edition, publisher's file copy. 8vo. Original boards. Dust-jacket correctly priced at 7/6.
Collection of short stories and novelettes including one WW1-themed tale 'Out of Darkness' by an author best known for Mrs Wiggins of the Cabbage Patch.
Alice married Cale Young Rice who was a poet and playwright in 1902. They spent most of their life traveling the world and becoming known in the literary scenes of New York and London.
Winners and Losers appears to be the only book they wrote together.
Rare in jacket.
Modern Literature
First edition.
London, Putnam, 1936
A very elusive political satire in which a Scottish shirt maker - Andrew McAndrew - corners the market for political shirts. In the novel the author satirises the symbolic power of the shirt with garments whose actual colour imbue the wearer with a political attitude. What’s not to like about a novel that pokes fun at Oswald Mosley’s Fascist Blackshirt movement.