Ink name and bookseller’s small sticker to front pastedown; cloth very good; jacket price-clipped, minor chipping to corners, overall very good.
Jacket design by Irus Taly.
£95
London, Chatto & Windus, 1965.
First edition, first impression. 8vo. Original cloth. Dust-jacket, price-clipped.
Tamara Dragadze’s novel is steeped in Moroccan culture, with references to Casablanca, couscous, djellabas and Ramadan.
In stock
Ink name and bookseller’s small sticker to front pastedown; cloth very good; jacket price-clipped, minor chipping to corners, overall very good.
Jacket design by Irus Taly.
Modern Literature
London, Faber & Faber, 1959.
First edition. 8vo. Original red cloth lettered in white to spine. Dust-jacket.
An autobiographical recounting of the author's first-hand experiences of apartheid in South Africa.
Modern Literature
London, Eveleigh Nash & Grayson, [1926].
Film tie-in edition. 8vo. 3pp. advertisements. Original red cloth. Dust-jacket.
A handsome early edition of the sequel to The Sheik (1919); the first edition was published in 1925, with this edition issued to coincide with the popular film version starring Rudolph Valentino. Hull is credited with setting off a major and hugely popular revival of the "desert romance" genre of romantic fiction.
Modern Literature
London, Rich & Cowan, 1933.
First edition. 8vo. Title within xylographic border. Original green cloth. Dust-jacket, correctly priced 7/6.
A lovely first edition of a Shakespearean era yarn.
Modern Literature
London, Hodder & Stoughton, [1929].
First edition. 8vo. 8pp. advertisements. Original blue cloth. Dust-jacket.
Golden Harvest is a particularly good yarn of gold discovery in Australia's wild, uninhabited Northern Territory...There is a mysterious Chinaman, abduction, rescue, a dramatic chase across the desert to the mine... (jacket blurb)
Modern Literature
London, Peter Davies, 1940.
First edition. 8vo. Frontispiece portrait, plates. Original cloth. Photographic dust-jacket, priced 8s6d.
A scarce find in the dust-jacket. The book chronicles Anahareo's adventures with the faux apache 'Grey Owl' as they travelled along the waterways of Northern Ontario, having met in Canada when she was 19. Not to be confused with the later Devil in Deerskins: My Life with Grey Owl, which is written after she had purportedly become aware that Grey Owl was in fact an Englishman named Archibald Stansfeld Belaney... Anahareo did not achieve the same fame as Grey Owl, but she played an important role in the conservation and animal rights movement, something she had been passionate about throughout her life.