A very good copy, with only minor rubbing to jacket extremities.
Jacket artwork by Victor Reinganum.
£495
London, Macmillan, 1961.
First edition. 8vo. Original blue/green cloth. Dust-jacket, price-clipped.
“Safety does not come first. Goodness, Truth, and Beauty come first. Follow me.” A very good first edition of Muriel Spark’s most famous novel.
In stock
A very good copy, with only minor rubbing to jacket extremities.
Jacket artwork by Victor Reinganum.
Non-Fiction
London, Macmillan, 1933.
First edition, first impression. 8vo. Original cloth. Dust-jacket, publisher's price label of 5s net to upper panel and spine.
George Saintsbury (1845-1933) was one of the most prolific and influential literary critics of the late Victorian and Edwardian periods, holding the chair of English Literature at Edinburgh from 1895 to 1915.
London, Macmillan, 1928
First edition. 8vo. Original cloth. Dust-jacket, correctly price of 7/6 on front flap.
Satirical science fantasy of a visit to another planet and the second volume of Eimar O'Duffy's Cuanduine (Spectrum of Fantasy p168)
Uncommon in a jacket. No copies for sale online currently.
Weird & Supernatural
London, Macmillan, 1932.First edition, first impression. 8vo. Original orange cloth decorated in black to spine. Dust-jacket, priced 7s6d.A stunning example of this wonderful Walpole edition, featuring the excellent jacket artwork by Rex Whistler. The tales present are:Maradick at Forty The Prelude to Adventure Portrait of a man with red hair Above the dark circus
Detective Fiction
London, Macmillan, 1997.
First edition, first impression. 8vo. Original boards. Dust-jacket, priced £16.99.
"It is every mother's nightmare. Her child is missing, found murdered. Her lover is the prime suspect. It is every police officer's dread. A child murdered. A circumstantial case. It is every solicitor's dream. Twelve men and women will decide the verdict. But only you can decide if justice is done for the victim." (jacket blurb)
American Literature
London, Macmillan, 1976.
UK uncorrected proof copy. 8vo. Plain brown wrappers.
Doctorow's weaving of real historical figures (e.g. Houdini, J.P. Morgan, Evelyn Nesbit, Emma Goldman) with fictional ones helps give it both documentary weight and narrative drama. It's one of his most recognised works. The use of ragtime (music, culture) as metaphor and structural mood is significant.