Some foxing, ink name to prelim.; cloth a little tarnished but overall very good.
Plates.
£275
London, Stanley Paul, 1909.
First English edition. 8vo. Original cloth.
Invasion literature. “In Germany itself an air attack on the American fleet is described by Ferdinand Heinrich Grautoff (1871–1935), writing under the name Parabellum, in his novel Banzai!.” (Wikipedia).
In stock
Some foxing, ink name to prelim.; cloth a little tarnished but overall very good.
Plates.
Weird & Supernatural
London, Stanley Paul, 1909.
First edition, first impression. Publisher's catalogue at end8vo. Original sage cloth, lettered in gilt to spine.
A sailor's harrowing experiences aboard a ship plagued by supernatural entities, blending maritime adventure with horror. "Hodgson's arguably most artistically successful novel combines a realistic background detail of sea life with a solidly constructed and original plot line." (Shadows in the Attic)
Detective Fiction
London, Stanley Paul, [1934].
First edition. 8vo. Original cloth. Dust-jacket, priced 4/- and stating '3rd impression'.
A holiday-themed detective story with all the charm of the British mystery tradition. Murder and misdirection take place in a snowbound country house. Great jacket artwork.
Detective Fiction
London, Stanley Paul, 1953.
First edition. 8vo. Original green boards. Dust-jacket, price-clipped with price sticker of 6/-.
An uncommon first edition thriller by an enigmatic author.
Detective Fiction
London, Stanley Paul, [1947].
First edition. 8vo. Orriginal blue cloth. Dust-jacket.
Frampton of the Yard is back on the case following the mysterious disappearance of a friend in 'Dead End'.
Weird & Supernatural
London, Stanley Paul, 1909.
First edition. 8vo. Original (variant) blue cloth.
A key work in Hope Hodgson's canon, here in a seemingly unknown variant binding (the normal is red cloth, with green also being recorded). The tale recounts a ship crew's strange & terrifying experience as their reality comes into contact with an alternative, darker mirror world. Bleiler was a huge fan of Hope Hodgson, calling his novels "visionary accounts that have no real parallels in English literature". Of this particular title he noted:
"One of the great sea novels. highly original in detail and well done. Although it is overshadowed as visionary horror by the more spectacular The House on the Borderland and The Night Land, as a work of art, it is finer." (The Guide to Supernatural Fiction).
A revised version of the ending was anthologised, under the title "The Silent Ship".