Toning to pages, heavier at margins, some marking; cloth rubbed at edges but overall very good.
Frontispiece by Gulich, with tissue-guard.
Bookplate of American medical artist, illustrator & writer Henry M.Eichner (1909-71), designed by Eichner.
£250
London, Sands & Co., 1899.
First edition. 8vo. Title printed in red & black. Original (variant?) dark-green cloth illustrated in red and lettered in gilt.
Scarce first edition of this collection of ten short stories by Eden Phillpotts, all set in the Caribbean and most turning on supernatural themes. Published as part of the Universal Library, though this copy’s binding does not declare it. Phillpotts, a poet and dramatist, was a friend of Agatha Christie, who dedicated Peril at End House to him.
In stock
Toning to pages, heavier at margins, some marking; cloth rubbed at edges but overall very good.
Frontispiece by Gulich, with tissue-guard.
Bookplate of American medical artist, illustrator & writer Henry M.Eichner (1909-71), designed by Eichner.
Horror & Gothic
London [&c.], Hodder & Stoughton, 1988.First edition, trade issue. Signed presentation copy from the author. 8vo. Original boards. Dust-jacket.Herbert's ghost story proper, and the beginning of his most enduring character: David Ash, professional sceptic and psychic investigator, invited to Edbrook to debunk a haunting by three playful adult siblings and their aged nanny - an invitation that proves to be nothing of the kind, with a closing twist that readers tend to remember decades later with a slight shudder.
Modern Literature
London, The Readers Library..., [1927].
Readers Library movie tie-in edition. Small 8vo. Original gilt-stamped red cloth. Dust-jacket.
The novel, expanded in 1913 from a magazine story, is the great Jack the Ripper book written at one remove: the Buntings, genteel ex-servants sliding toward destitution, take in a soft-spoken gentleman lodger just as "The Avenger" begins murdering women in the London fog, and Mrs Bunting's slow, unspeakable suspicion does the work a hundred crime scenes couldn't. This little Readers Library volume earns its place for the film it advertises: Hitchcock's 1927 The Lodger, starring Ivor Novello - the picture Hitchcock himself called the first true Hitchcock film.
Sexuality & Erotica
Translated by Meyer Leven
London, W.H. Allen, 1960.
First UK edition, first impression. 8vo. Original cloth. Dust-jacket.
This novel - based on the author's real-life experiences - is credited as the first candidly lesbian novel, originally published in 1950, that "scandalized mid-century America" (The New York Times). An account of life among female Free French soldiers in a London barracks during World War II, it sold four million copies in the United States alone.
Detective Fiction
London, Stanley Paul, [1939].
First edition, first impression. 8vo. Original boards. Dust-jacket, priced 7/6.
Goyne was a career fiction-machine of heroic output: crime under his own name at a rate of several books a year, and, as "Paul Renin," a parallel production line of mildly scandalous romances that kept the circulating libraries in smelling salts; a double life the suburbs of his titles would have understood perfectly.
Horror & Gothic
A Mystery
London, Ernest Benn, 1931.
First edition, 25th impression. 8vo. Original red cloth. Dust-jacket.
Published in 1897, the same year as Dracula, The Beetle comfortably outsold Stoker's novel for years - the reading public having decided that the ancient shape-shifting Egyptian horror pursuing a rising MP through the London fog was the superior nightmare, and only posterity reversing the verdict. This 25th impression is popularity made visible: still selling briskly a third of a century on. Marsh (born Richard Bernard Heldmann, a production-line sensation novelist with a colourful past of his own) has a further claim on the weird-fiction shelf: he was the grandfather of Robert Aickman, connoisseurs' choice for the century's finest writer of strange stories.