‘Sapper’ (pseud. H.C. McNeile) Knock-Out
£295
London, Hodder & Stoughton, 1933.
First edition. 8vo. Original light blue cloth. Dust-jacket, correctly priced 7/6.
Ronald Standish of the Secret Service steps up to assist Bulldog Drummond in this attractive first edition.
In stock
Book VG+; jacket a little rubbed and marked, spine very slightly sunned.
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War, Invasion & Spy
London, Hodder & Stoughton, 1933.
First edition. 8vo. Original pale blue cloth. Dust-jacket, price ablated from spine.
A pleasing first edition of this collection of short stories by 'Sapper', featuring the character Ronald Standish as chief protagonist (appearing previously only in 'The Saving Clause' (1927) and 'Tiny Carteret' (1930)). Sapper of course most well-known for creating Bulldog Drummond.
Detective Fiction
London, Hodder & Stoughton, 1957.
First edition. 8vo. Original cloth. Dust-jacket, correctly priced 12/6.
A very good first edition of this later and hard-to-find Freeman Wills Crofts title, featuring series character Chief Superintendent French, "the most human sleuth to be found in detective novels today" (Punch).
Detective Fiction
London, Hodder & Stoughton, 1934.
First edition, second impression. 8vo. Original blind-tooled red cloth. Dust-jacket, correctly priced 2/6.
An attractive early impression of this 'Yellow Jacket' Dr Thorndyke tale, bringing the good doctor's famous forensic mind to bear once more.
Detective Fiction
London, Hodder & Stoughton, 1939.
First edition. 8vo. Original red cloth. Dust-jacket, correctly priced at 7/6.
- a dead man in the bank strong room, rolls of brown paper and balls of string; empty, coffin-shaped boxes... An attractively jacketed edition of this tale by the 'Prince of Storytellers', with artwork by Bip Pares.
Detective Fiction
London, New York, Toronto, Hodder & Stoughton, 1913.
First edition. 8vo. Original blue cloth lettered in black to upper cover, spine lettered in gilt. Dust-jacket with inset colour illustration.
An early, rare example of a dust-jacket featuring artwork seemingly solely commissioned for the jacket, rather than repeating a frontispiece or plate from the book. This was an important time of transition for dust-jackets, moving away first from the disposable, purely advertorial type and then those that just repeated an internal design.
Writing in Twentieth-Century Crime and Mystery Writers (London, 1980), Daniel P. King noted "In the mystery genre, [Mason] made ample use of the psychological element - and in doing so, was in advance of his time."