An excellent copy.
Plates by Harry Brockway.
£75
London, Folio Society, 2015.
Folio Society edition. 8vo. Original pictorial purple cloth.
Folio Society first published Frankenstein with the specially commissioned Harry Brockway illustrations in 2004: this 2015 reissue features a different binding and was issued without a slipcase. Featuring the Introduction by Mary Shelley from the 1831 edition.
In stock
An excellent copy.
Plates by Harry Brockway.
Horror & Gothic
London, Denis Archer, [1932].
First edition. 8vo. Original red cloth gilt. Dust-jacket, correctly priced 7/6.
Sinisterly appealing jacket artwork graces this scarce first edition in jacket; classic horror stuff, with a clergyman possessed by the devil. Genuinely rare.
Horror & Gothic
London, The Readers Library, n.d. [c.1935].
First edition thus. Small 8vo. Original cloth, gilt. Dust-jacket, with advertisements printed to reverse.
Originally entitled A Chink in the Armour; a scarce Readers Library edition, in fun jacket.
Horror & Gothic
A Mystery
London, Skeffinton & Son, 1898.
Fourth edition. 8vo. Title printed in red & black, frontispiece and 3 plates, patterned endpapers. Original dark pictorial cloth lettered in gilt & black.
An early edition, in very good condition, of the author's most well-known title, a classic of Gothic horror.
"In 'The Beetle' Marsh introduces the supernatural entity known variously as 'The Oriental', 'The Woman of Songs' or 'The Beetle'. This malignant, deformed creature is inhabited by the soul of an ancient Egyptian princess...[and] can turn at will into an insect, or alternatively into a man or a woman or an enigmatic amalgam of both." - Richard Dalby, Book and Magazine Collector No. 163 (1997).
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."