An excellent copy.
Plates by Harry Brockway.
£75
London, Folio Society, 2015.
Folio Society edition. 8vo. Original pictorial purple cloth.
Folio Society first published Frankenstein with the specially commissioned Harry Brockway illustrations in 2004: this 2015 reissue features a different binding and was issued without a slipcase. Featuring the Introduction by Mary Shelley from the 1831 edition.
In stock
An excellent copy.
Plates by Harry Brockway.
Horror & Gothic
London, Geoffrey Bles, [1926],
First edition. Signed & inscribed by the author. 8vo. Original cloth.
Signed and inscribed by the author on front endpaper with this distinctive, flourishing signature.
The basis for the movie of the same name starring Boris Karloff, Cedric Hardwicke, Ernest Thesiger and Ralph Richardson (making his movie debut)
Extremely scarce signed and inscribed by the author.
Horror & Gothic
London, Philip Allan, 1920.
First edition. 8vo. Modern blue cloth with red leather spine label tooled in gilt.
A handsome copy of this second collection of supernatural tales by Henrietta Dorothy Everett, presumed the first appearance in book form. Includes one of the author's most famous stories, 'The Crimson Blind'.
Horror & Gothic
London, Denis Archer, [1932].
First edition. 8vo. Original red cloth gilt. Dust-jacket, correctly priced 7/6.
Sinisterly appealing jacket artwork graces this scarce first edition in jacket; classic horror stuff, with a clergyman possessed by the devil. Genuinely rare.
Horror & Gothic
London, Tinsley Brothers, 1867.
3 vols. First edition. 8vo. Half-titles all present. Publisher's dark orange blind-tooled cloth, lettered in gilt to spines. Housed in modern morocco-backed cloth solander box.
The best example of this rare, Hubin-listed three decker by Irish author Sheridan Le Fanu that we have ever seen, extremely uncommon in the original cloth and in such condition. The story itself features the Gothic tropes and elements one would expect from the author of Uncle Silas (1864) and In a Glass Darkly (1872), a crumbling family pile, hidden romance, suspicious death, a looming inheritance and dangerous ambition.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."