Hill (Susan) The Woman in Black
£350
London, Hamish Hamilton, 1983.
First edition. 8vo. Original green cloth. Dust-jacket, priced £7.95.
The famous ghost story that inspired film, television, stage and audio adaptations. Scary stuff.
In stock
Slight sunning to spine of book and jacket, o/w VG+.
Illustrations and jacket artwork by John Laurence.
Related products
Horror & Gothic
New York, G. Howard Watt, 1929.
First US edition, first printing. 8vo. Original grey cloth lettered in black. Dust-jacket, correctly priced $2.00.
A rare edition of this classic of ghoulish horror, especially in the correct first issue dust-jacket with correct number of reviews and price.
![Elliott O'Donnell, The Devil in the Pulpit, first edition, [1932]](https://lycanthiabooks.com/wp-content/uploads/2022/05/84575-300x300.jpg)
Horror & Gothic
London, Denis Archer, [1932].
First edition. 8vo. Original red cloth gilt. Dust-jacket, correctly priced 7/6.
Sinisterly appealing jacket artwork graces this scarce first edition in jacket; classic horror stuff, with a clergyman possessed by the devil. Genuinely rare.
Horror & Gothic
First edition. Includes stories by, E.S. Knights, Hester Gorst, Elliott O'Donnell, John Ratho, Charles Lloyd and others. London, Philip Allan, 1933 In our experience the most elusive of the Creeps series with no copies currently for sale online.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."