Contemporary gift inscription to ffep; cloth very slightly faded at spine, otherwise VG+; jacket with some modest edge wear and minor marking, but overall VG.
Jacket artwork by John Morton Sale.
£395
London, Hodder & Stoughton, [1930].
First edition. 8vo. Original blue cloth. Dust-jacket, correctly priced 7/6.
An uncommon “Lost Race” title, notable also for the rather smashing jacket artwork by well-known illustrator J. Morton Sale.
In stock
Contemporary gift inscription to ffep; cloth very slightly faded at spine, otherwise VG+; jacket with some modest edge wear and minor marking, but overall VG.
Jacket artwork by John Morton Sale.
Sci-Fi & Fantasy
London, Hodder & Stoughton, 1959.
First edition. 8vo. Original green boards lettered in gilt. Dust-jacket, priced 12s6d
A very nice first edition of this sinister sci-fi novel, by ex Merchant Seaman Frank Crisp.
Detective Fiction
London, Hodder & Stoughton, 1936.
First Omnibus edition. 8vo. Original oatmeal cloth. Dust-jacket, correctly priced 7/6.
An attractive edition comprising four stories, 'The Man with the Clubfoot', 'The Return of Club Foot', 'The Crouching Beast' and 'The Gold Comfit Box'.
Detective Fiction
London, Hodder & Stoughton, 1964.
First edition. 8vo. Original boards. Dust-jacket.
A very good first edition of this later Dr Palfrey tales, by one of the most prolific authors in the crime/thriller genre.
Detective Fiction
First edition.
London, Hodder & Stoughton, 1935.
A collection of four criminous short stories listed in Hubin, the eponymous first of which concerns the battle between Sir Harker Bellamy, the famous secret service chief known as ‘The Mole’ and The Priest’ a daring and resourceful foreign spy and plotter.Rare in such a well preserved jacket.
Detective Fiction
London, New York, Toronto, Hodder & Stoughton, 1913.
First edition. 8vo. Original blue cloth lettered in black to upper cover, spine lettered in gilt. Dust-jacket with inset colour illustration.
An early, rare example of a dust-jacket featuring artwork seemingly solely commissioned for the jacket, rather than repeating a frontispiece or plate from the book. This was an important time of transition for dust-jackets, moving away first from the disposable, purely advertorial type and then those that just repeated an internal design.
Writing in Twentieth-Century Crime and Mystery Writers (London, 1980), Daniel P. King noted "In the mystery genre, [Mason] made ample use of the psychological element - and in doing so, was in advance of his time."