A very good copy; cloth very slightly mottled at spine; jacket very slightly sunned at spine, overall very good.
Jacket artwork initialed ‘C.M.’
£295
London, Grayson, 1932.
First edition. 8vo. Original blue cloth. Dust-jacket, priced 7/6.
A collection of particularly good short stories of Africa, the mysterious, elusive, charming, fascinating and cynical. Previously published in Blackwood’s magazine.
In stock
A very good copy; cloth very slightly mottled at spine; jacket very slightly sunned at spine, overall very good.
Jacket artwork initialed ‘C.M.’
African literature
London, Herbert Jenkins, [1960].
First edition. 8vo. Original red boards. Dust-jacket, priced 12/6.
An attractive first edition of this important work on colour politics in South Africa.
African literature
London, Hutchinson, 1961.
First edition. 8vo. Original black boards. Dust-jacket, priced 16s.
The first novel by Nigerian author Onoura Nzekwu, later republished by Heinemann as part of the important African Writers Series. The novel has been compared to Achebe's No Longer at Ease.
African literature
London, Heinemann, 1969.
First edition, first impression; review copy with publisher's printed slip. 8vo. Original green boards. Dust-jacket, priced £1.50.
The novel centers on a dispute between two villages over ownership of a pond, leading to escalating tensions and conflict. It explores themes of tradition, community, and the consequences of pride and stubbornness.
A Journal of African and Afro-American Literature. No.10
Ibadan, Nigeria, General Publications Section, Ministry of Education, [1962].
Small folio. US distributor's label to copyright page. Original pictorial wrappers.
An attractive issue of this seminal West African literary journal. Includes a section on 'New Nigerian Poetry'.
"The steady development of Black Orpheus over the last seven years amounts to a remarkable achievement. It has succeeded in breaking the vicious circle that seems to inhibit the development of a proper reading public by its continued existence, by its very availability; more than that, it has also gone on to establish itself as one of the most important formative influences in modern African literature.…It can be said, without much exaggeration, that the founding of Black Orpheus, if it did not directly inspire new writing in English-speaking Africa, at least coincided with the first promptings of a new, modern, literary expression and re-inforced it by keeping before the potential writer the example of the achievements of the French-speaking and Negro American writers." (Abiola Irele, editor, Journal of Modern African Studies). The magazine ceased publication in 1975.
African literature
A Journal of African and Afro-American Literature. No.15
Ibadan, Nigeria, For Mbari Club by Longmans of Nigeria, August 1964.
Small folio. Original pictorial wrappers.
An attractive issue of this seminal West African literary journal, with cover design by Jacob Afolabi.
"The steady development of Black Orpheus over the last seven years amounts to a remarkable achievement. It has succeeded in breaking the vicious circle that seems to inhibit the development of a proper reading public by its continued existence, by its very availability; more than that, it has also gone on to establish itself as one of the most important formative influences in modern African literature.…It can be said, without much exaggeration, that the founding of Black Orpheus, if it did not directly inspire new writing in English-speaking Africa, at least coincided with the first promptings of a new, modern, literary expression and re-inforced it by keeping before the potential writer the example of the achievements of the French-speaking and Negro American writers." (Abiola Irele, editor, Journal of Modern African Studies). The magazine ceased publication in 1975.