Ink name to vol.II title-page, some minor marking and foxing; covers rather worn at edges.
Coleridge (Samuel Taylor) Biographia Literaria;
£975
or biographical sketches of my literary life and opinions
London, Rest Fenner, 1817.
First edition. 2 vols. 8vo. 19th century half morocco with marbled boards.
Coleridge’s somewhat divisive fusion of autobiography, literary criticism and German Idealist philosophy, reflecting on the origins of Lyrical Ballads, the nature of imagination, and the principles of poetry.
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Thomas Hobbes' (here spelt 'Hobbs') Behemoth is a dialogue on the causes and course of the English Civil Wars, composed in 1668 but long suppressed by Charles II on account of its forthright political analysis. It circulated in unauthorised continental editions in the 1670s, and in an illicit London issue of 1679/81, before appearing in its first authorised form in 1682, when the London publisher William Crooke printed it, including it at the head of his Tracts of Mr. Thomas Hobbs of Malmsbury. The edition was presented as taken directly from Hobbes' corrected manuscript in an effort to supersede the corrupt earlier printings.In substance, Behemoth complements and extends the arguments of Leviathan. Where Leviathan (1651) set out Hobbes' abstract political philosophy - the need for an undivided sovereign power to prevent a "war of all against all" - Behemoth provides the concrete case study: a scathing dissection of the ideological, religious, and social divisions that, in Hobbes' view, destroyed the unity of the commonwealth and plunged England into rebellion. It is both history and cautionary tale, a practical demonstration of what occurs when the principles of Leviathan are ignored. For this reason, Behemoth has long been regarded as the essential historical companion to Hobbes' masterpiece, showing the theoretical edifice of sovereignty tested against the lived experience of revolution.


















