Some foxing other minor marking, small ownership blind-stamp to title-pages; leather scuffed and rubbed, some general light wear.
24 etched plates (including frontispieces and fireside plate) after George Cruikshank.
£2,850
or, the Parish-Boy’s Progress
London, Richard Bentley, 1838.
3 vols. First edition in book form, first issue (with ‘by Boz’ and no mention of Dickens on all title-pages and the ‘fireside plate present in vol.III); seemingly bound without half-titles. 8vo. Contemporary half calf over marbled boards.
A first issue set of Dickens’ classic tale of hardship and hope, following the journey of an orphaned boy who escapes a harsh workhouse and encounters a series of characters in London’s underworld, including the criminal Fagin, the Artful Dodger and the menacing Bill Sikes.
Out of stock
Some foxing other minor marking, small ownership blind-stamp to title-pages; leather scuffed and rubbed, some general light wear.
24 etched plates (including frontispieces and fireside plate) after George Cruikshank.
or biographical sketches of my literary life and opinions
London, Rest Fenner, 1817.
First edition. 2 vols. 8vo. 19th century half morocco with marbled boards.
Coleridge's somewhat divisive fusion of autobiography, literary criticism and German Idealist philosophy, reflecting on the origins of Lyrical Ballads, the nature of imagination, and the principles of poetry.
London, Richard Bentley, 1872.
8vo. Original pictorial colour-printed wrappers.
Contains: Sir C. L. Young 'A Debt of Honour. A Ghost Story'; T. H. S. Escott 'Artful Creature'; Captain Maine Read 'The Prairie Apparition'; Shirley Brooks 'Charming a Dragon'; Le Fanu'Dickon the Devil; F. C. Burnard 'No Rose Without a Thorn: A Story of a Bayswater Bouquet'; W. W. Fenn 'A Waif from the Sea'; A. E. T. Watson, Huntingcrop Hall'. 'Dickon the Devil' is a supernatural short story about a ghost living at an old house with an idiot living on the land.
An amazing survival.
Modern Literature
London, Chatto & Windus, 1961.
First edition, first impression. 8vo. Original brown boards. Dust-jacket, priced 18s.
A satirical novel centred on Martin Lynch-Gibbon, a 41-year-old wine merchant who believes he can maintain both his marriage to his wife, Antonia, and an affair with his younger mistress, Georgie. The novel was adapted into a successful stage play in 1963 and later into a film in 1970, starring Claire Bloom, Lee Remick, Richard Attenborough and Ian Holm.
Victorian Literature
or The Skimmer of the Seas
London, Richard Bentley, 1834.
First UK illustrated edition. 8vo. Contemporary half calf with marbled boards, spine with leather title label and decorations in gilt and blind.
A sea-faring romance and political allegory set in early New York's pirate-infested waters. It follows altamira as the vessel and her crew, embroiled in piracy and class conflict.
and of the councels and artifices by which they were carried on, from the year 1640. to the year 1660...printed from the author's true copy
London, for W. Crooke, 1682.
First authorised, separate edition. 8vo. Contemporary blind-tooled calf, rebacked in modern calf with morocco title label lettered in gilt.
Thomas Hobbes' (here spelt 'Hobbs') Behemoth is a dialogue on the causes and course of the English Civil Wars, composed in 1668 but long suppressed by Charles II on account of its forthright political analysis. It circulated in unauthorised continental editions in the 1670s, and in an illicit London issue of 1679/81, before appearing in its first authorised form in 1682, when the London publisher William Crooke printed it, including it at the head of his Tracts of Mr. Thomas Hobbs of Malmsbury. The edition was presented as taken directly from Hobbes' corrected manuscript in an effort to supersede the corrupt earlier printings.In substance, Behemoth complements and extends the arguments of Leviathan. Where Leviathan (1651) set out Hobbes' abstract political philosophy - the need for an undivided sovereign power to prevent a "war of all against all" - Behemoth provides the concrete case study: a scathing dissection of the ideological, religious, and social divisions that, in Hobbes' view, destroyed the unity of the commonwealth and plunged England into rebellion. It is both history and cautionary tale, a practical demonstration of what occurs when the principles of Leviathan are ignored. For this reason, Behemoth has long been regarded as the essential historical companion to Hobbes' masterpiece, showing the theoretical edifice of sovereignty tested against the lived experience of revolution.