Minor spotting to extremities of text-block; cloth very good; jacket a bit chipped and rubbed at extremities, but otherwise very good.
Illustrations by Ruth Steed after the author.
£595
London, Heinemann, 1949.
First edition. 8vo. Original blue cloth, lettered in gilt to spine and with gilt illustration to upper cover; dust-jacket, priced 9s6d.
Dodie Smith’s first published novel, a coming-of-age tale set against a backdrop of a decaying English castle and eccentric family life.
In stock
Minor spotting to extremities of text-block; cloth very good; jacket a bit chipped and rubbed at extremities, but otherwise very good.
Illustrations by Ruth Steed after the author.
African literature
Introduction by Oliver Tambo. Edited by Ruth First
London, Heinemann, 1965.
First edition. 8vo. Original black boards lettered in gilt. Dust-jacket.
A very good first edition of Mandela's collected early writings, including his famous speech at the Rivonia Trial (1964). Distinctly uncommon, preceding his autobiography Long Walk to Freedom by almost thirty years.
Weird & Supernatural
London, Heinemann, 1906.
First UK edition, second impression. 8vo. Original pictorial yellow cloth.
A solid first edition, second impression, of this tale of the supernatural by Mapp and Lucia creator E.F. Benson.
Modern Literature
The Turning of the Screw; Covering End
London, Heinemann, 1898.
First edition. Title printed in red & black. 8vo. Original blue cloth, lettered in gilt with Beardsley-esque blind-stamped design to upper cover.
The first publication in book form of James's iconic ghost story 'The Turn of the Screw' as well as his 'Covering End'. 'The Turn of the Screw' was first published in Collier's Weekly and revised slightly for book publication, and 'Covering End' was first published in this edition.
Modern Literature
London, Heinemann, 1935.
First edition. 8vo. Original red cloth.
A first edition from master storyteller Graham Greene, the tale of ne'er-do-well Anthony Farrant, who has boasted, lied and cheated his way through jobs all over the world.
Bram Stoker Birthday
London, Heinemann, 1905.
First edition. 8vo. Original deep red cloth titled in gilt. With a note from Stoker tipped in to the front flyleaf on Bedford Street notepaper dated 1st September 1905.
An extremely handsome association copy of a rare piece of Stoker. The note from Stoker reads:
"My Dear Hatton, I hope you will care for my new novel The Man, of which a copy herewith...[illegible in peak Stoker fashion], Heinemann from September 8th, Yours ever, Bram Stoker."
The Hatton in question is almost certainly Joseph Hatton, friend and collaborator of Stoker, and a celebrated (at the time) author in his own right, who had worked with Stoker on a couple of rather sizeable projects including The Reminiscences of Henry Irving in America, and the "Crowdsourced from the Usual Suspects" late Victorian portmanteau thriller which was "The Fate of Fenella."