An excellent copy, in an uncommonly good example of the dust-jacket.
Jacket artwork by Thomas Fogarty.
£125
London, Heinemann, 1929.
First UK edition. 8vo. Original green cloth lettered in gilt. Dust-jacket, correctly priced 7/6.
Written as a sequel to the original Freckles (1904), written by the author’s mother Gene Stratton-Porter. The book was the basis for the 1942 film of the same name.
In stock
An excellent copy, in an uncommonly good example of the dust-jacket.
Jacket artwork by Thomas Fogarty.
Modern Literature
London, Heinemann, 1927.
First UK edition. 8vo. Original red cloth. Dust-jacket, priced 7/6.
A collection of short stories by the Pulitzer Prize winning author Edna Ferber, famously author of So Big, Show Boat and Giant. The jacket with its 'vignette' illustrations is definitely uncommon, and in our opinion more attractive than the first US equivalent.
Modern Literature
London, Heinemann, 1961.
First UK edition. 8vo. Original red boards. Dust-jacket, 12s6d.
The first book by Scottish author Trocchi to be published in the UK, following the banning of his controversial novel Cain's Book (1960).
American Literature
London, Heinemann, 1931.
First UK edition. 8vo. Original red cloth. Dust-jacket, priced 7s6d.
The first UK edition of this tale of Polish immigrant workers in New England which weaves a complex social history of the period, commencing with the stock market crash of 1929. Ferber is best known today perhaps as the author of Show Boat and Giant.
Modern Literature
London, Heinemann, 1926.
First edition. 8vo. Original blue boards. Dust-jacket, priced 7/6.
A collection of short stories by the author of The Well of Loneliness.
Bram Stoker Birthday
London, Heinemann, 1908.
First edition, inscribed presentation copy from the author. 8vo. Original red cloth, stamped in black to upper cover and gilt to spine.
Inscribed on preliminary page to: 'Mrs George Burrell with Bram Stoker's (respectful) love 8/6/09'
Mrs. George Burrell is most likely the wife of the Glasgow shipping magnate, a tremendously important and influential figure in late 19th century shipping, who like many rich Victorians became something of a patron of the arts.