A little minor spotting; cloth partly sunned at spine; jacket torn with some sections of loss to spine, some other edge wear and marking.
Jacket artwork by Whyte.
£125
London, Quality Press, 1945.
First English edition. 8vo. Original orange cloth. Dust-jacket, priced 10/6.
A disturbing work on the role of what the author perceived as rampant homosexuality in Germany, particularly in regard to the rise to power of Hitler and the Nazi party, and the atrocities they were at best complicit in orchestrating.
Out of stock
A little minor spotting; cloth partly sunned at spine; jacket torn with some sections of loss to spine, some other edge wear and marking.
Jacket artwork by Whyte.
Detective Fiction
London, Eldon, [1951].
First UK edition. 8vo. Original red cloth. Dust-jacket, priced 5/-.
Excellent jacket artwork graces this Anthony Adams crime thriller by American writer Pratt, a.k.a. Timothy Brace.
Sexuality & Erotica
Translated from the Japanese by Alfred H. Marks
London, Secker & Warburg, 1968.
First UK edition, first impression. 8vo. Original boards. Dust-jacket.
Mishima's groundbreaking novel, Forbidden Colours (original Kinjiki, 1951), explores same-sex love, aesthetic obsession, misogyny and social constraints in post-war Tokyo, the title being a euphemism for erotic, forbidden love and colours once restricted by Japanese court rank.
Modern Literature
London, Cassell, 1935.
First edition. 8vo. Original black cloth lettered in gilt. Dust-jacket, priced 7/6.
A very pleasing first edition of this classic Vachell title.
Detective Fiction
A Mystery Story
London, Geoffrey Bles, 1930.
First edition. 8vo. Original orange cloth. Dust-jacket, price neatly excised from spine.
The jacket's menacing photographic artwork enhances this early Dr Priestley title. An uncommon book in the original jacket.
Detective Fiction
Irish (William, pseud. Cornell Woolrich) Somebody on the Phone
Philadelphia & New York, Lippincott, 1950.
First edition. 8vo. Original teal cloth. Dust-jacket, priced $2.50.
A collection of six stories by Woolrich under his well-known pseudonym 'William Irish'. The title story was the basis for the 1952 film Don't Ever Open That Door.