A very good in very good jacket.
Frontispiece portrait, decorative title border.
£150
London, Odhams Press, n.d..
‘Deluxe’ edition. 8vo. Original faux leather cloth. Dust-jacket, stating ‘De Luxe’.
An attractive collected edition of Poe’s short fiction, bringing together key tales of horror, psychological disturbance, and early detective narrative.
In stock
A very good in very good jacket.
Frontispiece portrait, decorative title border.
Horror & Gothic
London, Quality Press, 1946.
First edition. 8vo. Original blue cloth. Dust-jacket, correctly priced 10/6.
An eye-catching first edition recounting the adventures of a ghost hunter. Scarce.
Horror & Gothic
London, Geoffrey Bles, [1926],
First edition. Signed & inscribed by the author. 8vo. Original cloth.
Signed and inscribed by the author on front endpaper with this distinctive, flourishing signature.
The basis for the movie of the same name starring Boris Karloff, Cedric Hardwicke, Ernest Thesiger and Ralph Richardson (making his movie debut)
Extremely scarce signed and inscribed by the author.
Horror & Gothic
New York, G. Howard Watt, 1929.
First US edition, first printing. 8vo. Original grey cloth lettered in black. Dust-jacket, correctly priced $2.00.
A rare edition of this classic of ghoulish horror, especially in the correct first issue dust-jacket with correct number of reviews and price.
Horror & Gothic
London, Philip Allan, 1920.
First edition. 8vo. Modern blue cloth with red leather spine label tooled in gilt.
A handsome copy of this second collection of supernatural tales by Henrietta Dorothy Everett, presumed the first appearance in book form. Includes one of the author's most famous stories, 'The Crimson Blind'.
Horror & Gothic
London, Tinsley Brothers, 1867.
3 vols. First edition. 8vo. Half-titles all present. Publisher's dark orange blind-tooled cloth, lettered in gilt to spines. Housed in modern morocco-backed cloth solander box.
The best example of this rare, Hubin-listed three decker by Irish author Sheridan Le Fanu that we have ever seen, extremely uncommon in the original cloth and in such condition. The story itself features the Gothic tropes and elements one would expect from the author of Uncle Silas (1864) and In a Glass Darkly (1872), a crumbling family pile, hidden romance, suspicious death, a looming inheritance and dangerous ambition.