Foxing to mounted title-page, repaired front hinge, flaw to rear hinge; some marking and scratching to covers, but overall a solid copy.
48 colour plates and 48 calligraphic-style text plates all mounted on paper.
£1,250
A Fantasy
London, George G. Harrap, [1923].
First UK edition. 4to. Original parchment-backed grey paper covered boards, spine decorated and lettered in gilt.
One of 2,000 copies printed in Britain, from which 250 of which were sent to America. This is Timlin’s only published work, but the quality of the illustrations rivals those of Dulac, Pogany, Nielsen & Rackham.
Out of stock
Foxing to mounted title-page, repaired front hinge, flaw to rear hinge; some marking and scratching to covers, but overall a solid copy.
48 colour plates and 48 calligraphic-style text plates all mounted on paper.
Sci-Fi & Fantasy
London, George G. Harrap, 1930.
First edition, first impression. 8vo. Original purple boards. Dust-jacket.
Illustrated Books
The Chelsea Arts Ball and Bystander Coming of Age Celebrations
[London], , New Years Eve 1924.
4to. Original sewn blue wrappers with inset colour illustration by Edmund Blampied.
A rare original souvenir programme of the 1924 Chelsea Arts Club ball held the celebrations of the Bystander Coming of Age celebrations (it had just turned 21) at the Royal Albert Hall. It was by all accounts a sumptuous affair on the theme of a Venetian Carnival, and was attended by Ivor Novello and Noel Coward. The programme is illustrated by Edmund Blampied, W Heath Robinson, Helen McKie, H M Bateman, Fred Pegram etc, and with menu, music, programme of dances (unmarked), and a page for collecting autographs (unused), and other humorous articles.There were 4000 copies printed (this is number 616), and a tipped in paper at the front states there will be a prize draw and the corresponding programme number will win a trip to Monsieur Peron, the famous couturier of Regents Street, to choose an outfit worth 100 guineas. There would be a second draw after midnight for a further 100 numbers who would win a trip to Babers of Oxford Street, where they could choose a pair of "dainty evening shoes" worth 2 guineas.Music was provided by The Clabon-West Orchestra and London Scottish Pipers and Drummers.This is from the Royal Albert Hall's own archive: "Decorations were designed by Mr Philip Connard ARA and Mr Henry Poole ARA. The Hall was decorated as a Venetian carnival and included a full-size gondola and massive carnival figures. The greatest attraction was a gigantic 30 foot high birthday cake in the centre of the ballroom, with 21 painted candles. At midnight figures on top came to life and distributed from inside the cake 2,000 half-guinea boxes of chocolate donated by The Bystander to celebrate its 'Coming of Age'. The cake was designed and made by sculptor Henry Poole, and the candles painted by Australian artist Fred Leist. Fancy dress was essential for men, but Venetian cloaks were acceptable."A wonderful item of Roaring Twenties ephemera.
Illustrated Books
London, Philip Allan, 1935.
8vo. Original cloth. Dust-jacket.
Illustrated Books
London, J.M. Dent, 1902-3.'The Temple Classics' edition, 5th edition. 4 vols. Small 8vo. Original dark blue cloth, spines gilt, upper cover blind-stamped.An attractive multi-volume edition of Malory's Arthurian classic; Dent of course were the publishers of Beardsley's famous 1890s edition.
Illustrated Books
Paris, The Olympia Press, 1956.
First edition with the images in the first state. 8vo. Original soft wraps with stiff self-wrappers designed by T. Tajiri and printed in black, grey & yellow.
Black & white photographs printed in gravure and laminated, as opposed to the matte second state. Rare.
A short, largely autobiographical novel recounting Miller's impoverished, sexually adventurous bohemian life in Clichy, Paris, in the early 1930s. The text originated around 1940 as one of two commissioned pieces written for a private American collector of erotica, the manuscripts subsequently going missing for over a decade before resurfacing, and Miller rewrote both at Big Sur in 1956 for this edition. The book is illustrated with photogravure plates by Brassaï (pseud. Gyula Halász), whom Miller had already celebrated in The Wisdom of the Heart (1941) and on whom he partly based a character in Tropic of Cancer; the wrapper design is by the sculptor T. Shinkichi Tajiri.