Library stamp to title-page, some marking and foxing; binding good.
Folding hand coloured lithographic frontispiece.
£575
London, for William Marsh, 1827.
First edition, issue with corrected frontispiece title. 8vo. Later half morocco with marbled boards.
The frontispiece was erroneously published with the title ‘Entrance to the Rownie River’. This copy has the corrected title pasted down – ‘Entrance to the Kowie River’. Anonymously published selection from the letters of the 1820 settler, Thomas Phillips, to his sister, Mrs Catherine Richardson.
In stock
Library stamp to title-page, some marking and foxing; binding good.
Folding hand coloured lithographic frontispiece.
Viz. Ombre, in all its Branches. Picquet. And, the Royal Game of Chess. Wherein the Frauds in Play are Detected, and the Laws of each Game Annexed to Prevent Disputes. Written for the Use of the Young Princesses.
London, for E. Curll, 1722..
Third edition. 12mo. Contemporary in Cambridge panelled style with blind tooled borders and decorations, sympathetically rebacked in later calf.
An important work on the development of games, and in particular card games, in Britain in the 18th century. Originally published in 1719, 'written for the use of the young princesses', Seymour confidently declared that 'Gameing is become so much the Fashion among the Beau Monde, that He, who in Company should appear ignorant of the Games in Vogue, would be reckon'd low bred, and hardly fit for Conversation.' Whether this was in fact the case or not is hard to say, but certainly the card games he championed, ombre and piquet, did become increasingly popular, and the book ran to at least eight editions. Scarce.
Detective Fiction
Fredericks (Arnold, pseud. Frederic Arnold Kummer) The Film of Fear
London, Robert Hayes, [c.1921].
First UK edition. Small 8vo. Original cloth. Dust-jacket, priced 1/-.
Number 10 in the publisher's 'Hayes' Copyright Novels' series. The plot follows film star Ruth Morton, the target of escalating anonymous threats to ruin her beauty, with series characters the Duvalls called in to investigate. The work is widely cited as the first novel centred on the motion-picture industry, though set around the early film-making world of New York and New Jersey rather than Hollywood
or biographical sketches of my literary life and opinions
London, Rest Fenner, 1817.
First edition. 2 vols. 8vo. 19th century half morocco with marbled boards.
Coleridge's somewhat divisive fusion of autobiography, literary criticism and German Idealist philosophy, reflecting on the origins of Lyrical Ballads, the nature of imagination, and the principles of poetry.
A Fragment
London, John Murray, 1817.
Fourth edition. 8vo. Contemporary half calf.
An early and curious work of speculative fiction in which Thomas Erskine, former Lord Chancellor, imagines a hidden counterpart to the known world. Following a violent storm and shipwreck in the far southern seas, the narrator is cast upon the island of Armata, part of a parallel planet whose geography and civilisation mirror, yet subtly distort, those of Britain. Through this imagined society, Erskine constructs a utopian thought-experiment, using displacement and planetary doubling to explore questions of political order, social justice, war, and economic excess in the aftermath of the Napoleonic era. Part travel romance, part philosophical allegory, Armata stands as an early example of British proto-science-fiction, anticipating later nineteenth-century speculative and utopian narratives.
Art & Architecture
of the celebrated Mr. Pennant's Description of the British Capital, and its Environs
London, for the editor; and sold by W. Bentley, 1790.
First edition. 8vo. Contemporary half calf.
Wallis's abridged and cheaper octavo redaction of Pennant's famous work on London, issued the same year with prefatory notes, additions and observations, designed to bring Pennant's expensive illustrated work within reach of a wider public; effectively a popular companion to the original.